MUSEUM OF GRAFFITI #3
Eneri participated in Pixação: Marks of Rebellion at the Museum of Graffiti in Miami, a new iteration of the exhibition first presented at STRAAT Museum in Amsterdam and brought directly from the Netherlands to the United States. Alongside LIXOMANIA!zé and Cripta Djan, the exhibition brought Brazilian pixação into dialogue with questions of language, urban space, conflict, and visual culture.
Her work centered on writing as image, mark, and symbolic dispute. Rooted in the visual force of pixação, Eneri expands this language across different media and contexts, engaging themes of presence, gender, memory, and power. In her practice, the city is not simply a surface, but a site of tension, projection, and confrontation.
The exhibition also highlighted connections between this body of work and other strands of her research, especially works in which words historically used to diminish women are reclaimed as visual and political material. Moving between writing, gesture, and image, Eneri has developed a distinct vocabulary that carries the critical force of pixação while continuously shifting form.
The exhibition also includes a collective nucleus bringing together works by around 30 pixadores and pixadoras from different Brazilian capitals. Initially conceived by Cripta Djan and later expanded with Eneri’s curatorial contribution, this section emphasizes pixação as a shared and collective language shaped by exchange, circulation, and territorial difference.
By bringing together artists from distinct urban contexts, the nucleus highlights the aesthetic, geographic, and political breadth of pixação, as well as the diversity of forms, experiences, and visual repertoires that define it. Eneri’s contribution to the curatorship also helped build a more balanced presence of men and women within the selection, reinforcing a broader and more representative reading of contemporary pixação.