
Panteón - Mexico City
August – November 2025
Solo Exhibition - ¡Lo que nos borraron, las calles lo gritan!
For this solo exhibition, ¡Lo que nos borraron, las calles lo gritan!, presented at Panteón Museum in Mexico City, Eneri intervened across all the walls of a protected colonial house located on one of the city’s oldest streets. The exhibition opened with black pixo letterforms already covering the white walls, holding the space in a state of tension between writing, code, and unreadability.
During the opening night, Eneri activated the installation through a live gesture: using red spray paint, she translated and unveiled the inscriptions directly onto the walls as a form of performance. This action turned legibility into an event, transforming the exhibition into a confrontation between language, architecture, and historical memory.
The revealed phrases moved between mourning, denunciation, and collective resistance across Latin America:
“¿Cuántas voces sepultaron aquí? Toda América es un gran cementerio.”
“How many voices were buried here? All of America is one great cemetery.”
“El orden que defienden es el que nos mata.”
“The order they defend is the one that kills us.”
“¿Qué tenemos en común desde México hasta Argentina? Los mismos enemigos.”
“What do we have in common from Mexico to Argentina? The same enemies.”
“Latinos callejeros, cada esquina es sagrada.”
“Street Latinos, every corner is sacred.”






